Handmade from the finest select woods and materials

Acoustic Archtop Guitars

by Southern California Luthier


Tad R. Brown

Oval Hole

Oval Hole Acoustic Archtop

  • Adirondack Red spruce top
  • Red maple back and sides
  • African Blackwood appointments
  • Petite bouche oval soundhole
  • All maple bindings
  • Smooth edges with arm & rib contours
  • Ultra light all rosewood bridge & saddle
  • One piece maple neck
  • Mirror polished stainless steel frets
  • Waverly high ratio tuners
  • Harmonically tuned string afterlengths
  • Ultratonic soundboard transducer pickup system
  • 16″ body, 3″- 3.5″ sides, 25.4″ scale, 1 3/4″ nut
  • Powerful rich acoustic tone
  • Lightweight and highly responsive, 4lbs, 15oz





Blue Lotus

  • Adirondack Red spruce top
  • Sugar maple back and sides
  • Kingwood appointments
  • Lapis Lazuli crystal finish
  • Oval soundhole with side soundport
  • All maple bindings
  • Smooth edges with arm & rib contours
  • Ultra light all rosewood bridge & saddle
  • 3 piece maple neck with rosewood stripe
  • Mirror polished stainless steel frets
  • Waverly tuners with ivoroid buttons
  • Harmonically tuned string afterlengths
  • Armstrong P90 with Ultratonic soundboard transducers
  • 16″ body, 3″- 3.5″ sides, 1 3/4″ nut, 2 1/4″ string spacing
  • 25.4″ to 24.9″ fan fret multi scale
  • Powerful rich acoustic tone
  • Lightweight and highly responsive, 5lbs, 4oz

Hi Tad

The guitar arrived late last night safe. I was with a large group of musician guests, so unboxing was a lot of oohs and aaahs. The Yogis and Buddhists were tripping on the Lapis and lotus.

Just putting some time into exploring the instrument… Firstly the visuals and details are perfection. The binding is stunning, as is the depth of the blue. So many details that just elevate this instrument to a masterpiece.

The acoustic voice is all I was hoping for – depth and clarity with great projection, and the side port just puts you inside the sound – so grateful you suggested. Also multi scale playability and comfort combined with punchy basses and warmer trebles – amazing.

Neck dimensions are very comfortable – wide enough and fast – another reason I’m glad I followed your dimensions advice.

The acoustic voice is addictive. Just finding all the magical places on the neck – lots of bloom and sustain. Loving the guitar, still learning its qualities.. Light touch delivers what I was hoping for – a full sound that responds to dynamics.

I can hear a heavier hand expanding its ceiling every day. The Bass is very focused and clear, so I know its voice has great potential as it ages.

I played some pieces with a friend, and I could hear the inner voices of chords – that was quite a joy, even in simple percussive jams. Scale lengths fabulous, no buzzing with a heavy hand, and warm trebles.

Visually I’m still tripping – perfect blue and fade. Comfort and body contact is a blessing. The maple binding looks like calcified stone and is so smooth, sitting or standing.

You went to such excellence in creating the perfect instrument for my needs – I’m unable to thank you enough Tad. May you be blessed and rewarded for this alchemy and innovative mind.

For now all I can say is you have been knowledgable, kind , and very innovative in this passion. I have had so many instruments in the last 45 years – this is the Emperor.

Much love and gratitude to you and yours Tad.

Kamran Khan


Blue Oval

  • Adirondack Red spruce top
  • Sugar maple back and sides
  • Rosewood appointments
  • Petite bouche oval soundhole
  • All maple bindings
  • Smooth edges with arm & rib contours
  • Ultra light all rosewood bridge & saddle
  • One piece maple neck
  • Mirror polished stainless steel frets
  • Waverly high ratio tuners
  • Harmonically tuned string afterlengths
  • 16″ body, 3″- 3.5″ sides, 25.4″ scale, 1 3/4″ nut
  • Powerful rich acoustic tone
  • Lightweight and highly responsive, 4lbs, 15oz